Culture

Japan's First Woman to Host Her Own Living Funeral On February 19, 1993, 500 people gathered at the Tokyu Hotel in Tokyo to attend a living funeral for the esteemed entertainer Mizunoe Takiko, who was about to celebrate her 78th birthday the following day. As the "deceased," Mizunoe began the ceremony with a speech: "To be able to see my own portrait and flower-adorned altar while still alive is truly a blessing." Thus began this unprecedented event. "I just want to hug Takiko one more time," actor Nishimura Ko offered his eulogy in front of Mizunoe’s portrait, while Mizunoe herself, seated in a wicker chair beside him, burst into laughter. A year prior, Mizunoe attended a memorial concert for the musician Imaizumi Takao, where she was inspired by producer Ei Rokusuke to organize he...

Stardom vs. Academia When someone advises you to focus on your studies rather than chasing stardom, they might be onto something. Reality shows that becoming a star is significantly more challenging than getting into a prestigious university. Take, for instance, the University of Tokyo, Japan's top institution, with an acceptance rate of 22%. In contrast, the acceptance rate for the renowned Takarazuka Revue, a theater troupe blending song, dance, and drama, is a mere 3.7%. There's a catch, though: you must be female. Founded over a century ago, the Takarazuka Revue is an iconic all-female musical theater troupe. Each year, thousands of girls from across Japan vie for a spot at the Takarazuka Music School, with only about 40 to 50 making the cut. Once admitted, they undergo ...

We frequently discuss the revolutionary impact of artificial intelligence (AI) as numerous entities, ranging from governments to corporations, rush to harness AI in various sectors like recruitment, policing, criminal justice, healthcare, product development, and marketing. Generative tools such as Chat GPT have also become a staple in our daily digital interactions. However, Ruhi Khan, a researcher at the London School of Economics (LSE) Economic and Social Research Council (ESRC), casts a spotlight on a critical issue: despite the strides in AI, its embedded gender and racial biases significantly endanger women. Khan is championing a worldwide feminist movement to confront these challenges by promoting awareness, inclusivity, and regulatory measures. But does AI genuinely harbor ...

From the dawn of time, the natural world has been esteemed as the “Mother of Nature”, a moniker that transcends simple designation to deeply affirm the intrinsic bond between women and the wild. This unique kinship, spanning the annals of time from archaic matriarchal societies to our contemporary era, is a recurring motif across diverse cultures and legends. In the rich tapestry of myths both in the East and the West, women have consistently been portrayed as custodians, healers, and creators of the natural realm. Take, for instance, Demeter in Greek mythology, consort to Zeus and the goddess of harvest and fecundity, who infused the earth with vitality and bestowed upon mankind the wisdom of agriculture. In Hindu lore, Parvati, the mountain goddess and sister to the Ganges deity, emb...

You will become a part of the happenings;you will simultaneously experience them Allan Kaprow The Genesis of Performance Art In 1959, American artist Allan Kaprow sent out invitations for his debut show at Reuben Gallery with a captivating proposition: “You will become a part of the happenings; you will simultaneously experience them.” He described the show as “something spontaneous, something that just happens to happen”. The audience, unaware of what awaited them, arrived at the venue with only one instruction: no smoking or leaving during the event. Upon reaching the second floor of the gallery, they were given detailed directives, orchestrating their seating and movements across three segmented spaces of the gallery. This format allowed viewers to adopt various perspectives...

Between June and October of this year, the NordArt 2023, currently Europe's largest annual contemporary art exhibition, took place in Büdelsdorf, Germany. One name that stood out amidst this creative extravaganza was that of Kayee C., a Hong Kong photographer. Kayee is a portrait photographer renowned for a distinctive approach – she often casts herself as the central figure in her work. While the expectation might be profound revelations like “my art is a reflection of self” or “I meld personal emotions with characters”, her journey started with a simple yet practical reason. She began her photographic voyage in 2015, falling deeply in love with portrait photography. Yet inspiration doesn't always align with model availability. Learning the ropes through self-study, she avoided wa...

In 2004, Sylvia Chang achieved a cinematic milestone with her directorial masterpiece, 20 30 40. This remarkable romantic comedy stands as the singular Chinese-language film selected for competition at the 2004 Berlin International Film Festival. The film masterfully weaves together the distinct yet interconnected stories of three women, each at a different stage of life: Li Hsin-chieh in her twenties, Sylvia Chang herself in her forties, and Renée Liu in her thirties. Through these characters, 20 30 40 eloquently portrays the various struggles and transformations experienced by women across different generations. Now, nearly two decades after its release, 20 30 40 retains its status as a cinematic classic, especially within the realm of women’s cinema. Sylvia Chang’s dual role as dire...

When reminiscing about the opulent years of old Shanghai, you might conjure images of the swinging jazz tunes wafting through nightclubs, Chinese classic songs enriched with Western musical arrangements, the lively Charleston dance, and poignant melodies like “When Will You Return” and “Waiting for You to Come Back”. In a serendipitous convergence of seasons, M+ presented an exhibition Madame Song: Pioneering Art and Fashion in China, CHAT (Centre for Heritage, Arts, and Textile) posed an intriguing question: Who is Rebecca Pan? These two Chinese women, both born in the 1930s, had remarkable life stories, one revered as “Madame Song” and the other affectionately referred to as “Sister Pan”. They each held numerous titles: Song Huai Gui was celebrated as the “pioneer of the arts”, a...