Mo Ieong

From the dawn of time, the natural world has been esteemed as the “Mother of Nature”, a moniker that transcends simple designation to deeply affirm the intrinsic bond between women and the wild. This unique kinship, spanning the annals of time from archaic matriarchal societies to our contemporary era, is a recurring motif across diverse cultures and legends. In the rich tapestry of myths both in the East and the West, women have consistently been portrayed as custodians, healers, and creators of the natural realm. Take, for instance, Demeter in Greek mythology, consort to Zeus and the goddess of harvest and fecundity, who infused the earth with vitality and bestowed upon mankind the wisdom of agriculture. In Hindu lore, Parvati, the mountain goddess and sister to the Ganges deity, emb...

As the dawn of 2024 breaks, it brings to a close Marina Abramović's retrospective at The Royal Academy of Arts in London, a half-century culmination that epitomises a transformative era in Western performance art. Announced back in 2020, this collaboration heralded Abramović as the first female solo exhibitionist in the venerable 255-year history of the Academy. Originally envisaged as a retrospective, the exhibition, beleaguered by pandemic-induced postponements, evolved under Abramović's visionary guidance into a dialogue between her artistic epochs, challenging the very notion of retrospection. In the intervening years, a maelstrom of creativity and introspection swirled around Abramović. Boris Miljković’s 2020 film “Homecoming - Marina Abramovic and Her Children” offered a cine...

Once upon a time, in a quaint city known as the Culinary Paradise, there lived a chef. While the townspeople relished international cuisines, local ingredients remained underappreciated, with few taking pride in their regional produce. This chef pondered, “How can I arrange my work freely and connect genuinely with food?” She firmly believed in a lifestyle perfectly suited to her. Meet Chef Ling (Ng Suet Ling), born into a family of Chinese culinary heritage. Her father, a master of wonton and beef brisket noodles, watched as his daughter gravitated towards Western cuisine. Self-taught in baking, Ling first worked in a patisserie before apprenticing in Western cuisine, handling everything from starters and salads to desserts. Describing herself as a 'hybrid' chef, she ventured to the U...

Watch on YouTube：https://youtu.be/_ki23G4rPos 人們說你要離開這陣營，我們無不覺得吃驚因為這不是你的個性，你生來是露體狂小丁 《露體狂小丁》— Forever Tarkovsky Club The Bare Utopia “I am not inherently drawn to nudity,” Siu Ding admits with a hint of shyness. “To wear or not to wear, I see it as a choice of freedom and a state of being.” The duo Ho Shan and Ah P form the band “Forever Tarkovsky Club” (永遠懷念塔可夫斯基) notable for their song 《露體狂小丁》. In reality, Ding is a seasoned life model., reflects on the humour and positivity she has brought to the term “exhibitionist” (露體狂), once used in jest by friends. “It's about redefining a concept from a negative connotation to a positive light,” she shares. Would a world without the need for clothes be ideal? “The perfect state,” Siu Ding says, “would be where people on the street...

「女生女人同樣長不大／平衡多身份姿態／但被太少理解」 “Throughout my career, whether composing music or writing lyrics, I have always used my unique sensibility to articulate the identity of women. I’ve noticed that many works tend to adopt a male perspective on women,” says Vicky. She never saw herself as a typical woman, feeling strongly that inside her resides a man. “If I were to choose one of my more recent works that resonates deeply with the theme of womanhood, it would be Janice's 《我的視角》”. The 2022 concept album “DAUGHTER” deconstructs the theme of “female autonomy” from a woman’s perspective and is produced entirely by an all-female team. In 《我的視角》, Vicky chooses to eschew using any “he” or “she”, attempting to eliminate traditional stereotypes. In this era, everyone can define their own type o...

https://youtu.be/1xMcN4nwJ6k?si=HKw7jgCa00H_ALiS Upon observation, Vicky Fung possesses distinct traits: A relentless ambition A mind teeming with questions A fondness for sake During her studies, she grappled with the desire to pursue music and science, yet ultimately chose law. In her music career, she's crafted both pop songs and community music. Not content with just songwriting and composing, she dove into being a singer-songwriter. Yet, producing alone didn't satisfy her; she yearned to be an artist. She remarks, “In truth, I don't engage in anything solely for money.” But isn’t lawyering about financial prospects? She quips, “Law isn’t the most lucrative path. If I were after money, I’d turn to stocks or real estate.” A valid point. Music wasn’t chosen for mon...

“At the time in Mexico, what was fashionable was to look French.” Reminisced of famed Mexican actress Salma Hayek. Portraying the iconic 20th-century artist Frida Kahlo in the acclaimed film Frida (2002), for which she received an Oscar nomination, Hayek reflected during an interview with The Washington Post, “When everybody was trying to dress like that, Frida did what was unimaginable.” Dior, an emblem of French elegance, has paradoxically nurtured a deep affinity for the vibrant culture of Mexico, a country in the heart of North America. Continuing the legacy of the Dior Cruise 2019 collection, which celebrated Mexican female riders, Maria Grazia Chiuri, the creative mastermind behind Dior’s women’s collections, turned to Frida Kahlo’s artistic oeuvre for inspiration. The 2024 E...

You will become a part of the happenings;you will simultaneously experience them Allan Kaprow The Genesis of Performance Art In 1959, American artist Allan Kaprow sent out invitations for his debut show at Reuben Gallery with a captivating proposition: “You will become a part of the happenings; you will simultaneously experience them.” He described the show as “something spontaneous, something that just happens to happen”. The audience, unaware of what awaited them, arrived at the venue with only one instruction: no smoking or leaving during the event. Upon reaching the second floor of the gallery, they were given detailed directives, orchestrating their seating and movements across three segmented spaces of the gallery. This format allowed viewers to adopt various perspectives...